"Self Built, now discontinued - full honest replica to a TB303 using original Roland TB303 filters from japan, The Item is in a Rack formation and has Midi in / out - no knobs were bought for the Potentiometers as seen in the pic.
For me, its the best 303 sounding clone out there."
"Included is a series of patches I have made since July 2021. I recorded everything here within one run, so you will hear whatever mistakes I make as I go through all of the patches to give you a feel for how they all sound. There is no reverb on these sounds (as much as I would have preferred how they sounded). Anything you hear will sound the same on my unit as it does on yours. Small amount of master limiting was used.
A few notes though - you are advised to turn your Master Volume up. This is because there is a strange behavior on the Prophet 12 where if you lower the Master Volume, you may hear very strange differences in panning of voices, hence, my Master Volume is at Maximum and my VCA values are much lower to compensate. This has worked well for me. I actually had sent my unit in for diagnostics for fear that something was wrong. Sequential informed me that this was normal behavior.
"I had the great pleasure of working on yet another Sequential modern masterpiece, the Take 5. This is a long recording of the patches I made for the Factory Bank of sounds that ship with the synth. I think the Take 5 captures the essence of a rev 2 Prophet 5 with its SSM/SSI oscillators, filters and vca but it transposes it into the future with the sophisticated FX engine and mod matrix! What's on offer is a lovely and timeless sound with many of the modern trimmings musicians will need today. Its' compact form factor also makes it possible to easily get this first class sound in a package that's easy to gig and travel with. Please note all of the recordings are from a pre-production unit running a pre-release firmware. No additional FX or processing were added to this recording, everything you hear came straight off the Take 5."
New Instrument Puts Powerful, Affordable VCO/VCF-based Synthesis Within Easy Reach of Newcomers and Pros Alike
San Francisco, CA—August 23, 2021—Sequential today introduced the Take 5®, an all-new, compact and portable five-voice VCO/VCF-based poly synth designed with both synth newcomers and space-conscious pros in mind.
A full-featured subtractive synthesizer, the Take 5 sports two VCOs and a sub oscillator per voice, a classic 4-pole, resonant analog filter from the Prophet-5 Rev 4 design, 44 full-size keys, and a premium Fatar keybed. Its clever key-split feature gives players access to a wider playable range than many other compact synths by enabling players to divide the 3.5 octave keyboard into two separate performance zones. Dual Digital effects and a dedicated overdrive, continuously variable wave shaping, and front-panel access to analog FM ensure the Take 5 can cover a wide range of sonic territory, from vintage to modern.
“The Take 5 puts the classic Sequential sound and legacy into the hands of people who may not have been able to experience it before,” said Dave Smith, Sequential founder and lead product designer. “Packing this much performance power into such a small footprint was the kind of challenge we love. Throughout development we were amazed by how huge this synth sounds and how crazy versatile it is. It was a joy to work on and I’m looking forward to hearing what our customers create with it.”
This versatility comes from the Take 5’s sound engine. Two voltage-controlled oscillators provide traditional sine, saw, and pulse waves with waveshaping, while simple analog FM adds harmonically complex, bell-like FM timbres at need. The Prophet-5-lineage 4-pole analog filter shapes the sound of the oscillators and sub oscillator in classic fashion while a Drive control provides additional punch. For still more warmth, a Vintage knob adds micro variations to oscillator, filter, and envelope behavior from voice to voice.
The Take 5 feature set is rounded out with two LFOs (1 global, and 1 per-voice LFO), ADSR+delay envelopes, dual digital effects (a dedicated reverb and a suite of time-delay and other effects) a separate additional overdrive effect, and extensive modulation possibilities. A 64-step polyphonic sequencer and multimode arpeggiator complete the picture.
Sequential CEO David Gibbons summed up the Take 5 this way: “For players that have wanted to get into analog poly synths but have been put off by price or complexity, the Take 5 is the perfect gateway to subtractive synthesis and the creative power of Sequential’s best synths. It is pure Sequential sound and quality at a price that’s within reach of almost anyone. Portability is also a huge plus — you can transport it from studio to stage without breaking a sweat or leaving any features or playability behind.”
The Take 5 is available now at a US MAP of $1,299.
The Dave Smith Poly Evolver Rack has arrived!
A short but powerful sweeping pad!
My second video on YouTube was the Poly Evolver,
it has over 52k views and I didn't even run it thru my
digital recorder! I loved that synth so much & I missed it
I had to get the harder to find cousin, the Poly Evolver RACK.
In this video i am using the Yamaha MoXF6 as MIDI controller.
The PER responds to Cuttoff Filter, Decay & Modulation / Pitch on
the wheels very well! More Poly Evolver Rack coming soon!
I also will be making a custom sound bank and SAMPLE PACK
very soon for the masses! So subscribe & tap that notification bell!
Thank you for watching!
You ROCK!"
"Synth legend Suzanne Ciani to mentor emerging electronic producers as next Master in Residence at Studio Bell
Four artists from across Canada to be mentored by electronic music pioneer
(Calgary, AB — October 17, 2019) The National Music Centre (NMC) is pleased to announce electronic music pioneer Suzanne Ciani as the next Master in Residence at Studio Bell in Calgary.
Dubbed the 'Diva of the Diode,' Suzanne Ciani is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist whose work has been featured in countless commercials, video games, and feature films. Over the course of her 40-plus year career, Ciani has released 16 solo albums, including Seven Waves, The Velocity of Love, and most recently, her comeback quadraphonic Buchla modular synth performance recording LIVE Quadraphonic.
Alongside NMC ON and AEMCON events, Ciani will offer her expertise on electronic music composition, including analog modular live performance and sound design techniques, with four emerging Canadian electronic artists during an intensive one-day session. Participants include Calgary producer and bass music advocate Homesick, Winnipeg-by-way-of-Toronto electronic artist Joanne Pollock, experimental music-maker YlangYlang from Montreal, and Toronto-based experimental electronic performer Korea Town Acid, who will also appear as part of NMC ON: After Hours on November 15. Tickets for After Hours are on sale now at studiobell.ca/whats-on.
The public will also have a chance to see Ciani lead a public Buchla Masterclass on November 16. Tickets for that event are available at studiobell.ca/whats-on.
'I’m thrilled to share my history and expertise in my favorite music medium, analog modular, with young emerging Canadian artists,' said Suzanne Ciani. 'I’m looking forward to our exchange of ideas.'
The Master in Residence program invites emerging artists to work under the leadership of a Master in Residence chosen to inspire creativity, encourage innovation, share expertise and provide mentorship. Previous masters have included acclaimed country icon Terri Clark, singer-songwriter Steven Page, Canadian techno ambassador, Richie Hawtin, and Our Lady Peace founder, Raine Maida. Internationally-acclaimed artist and producer, Daniel Lanois led NMC’s first ever Master in Residence event in 2015 with an interactive master session in collaboration with Sled Island Music and Arts Festival.
'As a pioneering, Grammy-nominated composer and performer of electronic music, Suzanne Ciani is a master with international pedigree,' said Adam Fox, NMC’s Director of Programs. 'Connecting emerging Canadian artists with career-altering mentorship opportunities is something that the National Music Centre takes great pride in. This is going to be a once-in-a-lifetime experience for this year’s selected participants.'
"'The Scrying', for synth(s), orchestra, & choir. Video shows only one part. Try loud with headphones to make the most of the DSI bass.
Instrumentation below:
Matrixbrute (also acting as controller for Model D. Audio from MB running into Line on D i.e 6 oscs in total)
DSI Pro 2 (on bass duties, obvious at 1:24, and particularly at 2:39. All low end = Pro 2. (...Is the Pro 2 the sleeping giant of Dave's lineup? Possibly...))
Organ (can be heard entering @ c. 2:03) = Viscount Cantorum VI Plus
Roland Integra 7 (choir(s), strings, flutes, french horn)
Bell = city of Tartu, Estonia
Korg M1 also deep in the mix (towards the end).
Numerous overdubs (some Doepfer, some MB), some 10/16 (i.e 5-multiple), plus some polymetricism which can likely be heard at c. 5:18 (3+3+2/16 against 5/16).
"Chowning is known for having discovered the FM synthesis algorithm in 1967 (Johnstone 1994; Schottstaedt 0000; Chowning 1973). In FM (frequency modulation) synthesis, both the carrier frequency and the modulation frequency are within the audio band. In essence, the amplitude and frequency of one waveform modulates the frequency of another waveform producing a resultant waveform that can be periodic or non-periodic depending upon the ratio of the two frequencies.
Chowning's breakthrough allowed for simple—in terms of process—yet rich sounding timbres, which synthesized 'metal striking' or 'bell like' sounds, and which seemed incredibly similar to real percussion. (Chowning was also a skilled percussionist.) He spent six years turning his breakthrough into a system of musical importance and eventually was able to simulate a large number of musical sounds, including the singing voice. In 1974 Stanford University licensed the discovery to Yamaha in Japan (Mattis 2001), with whom Chowning worked in developing a family of synthesizers and electronic organs. This patent was Stanford's most lucrative patent at one time[citation needed], eclipsing many in electronics, computer science, and biotechnology."
Update: this post will be pinned on top for the day. You can find newer posts below.
Brian Kehew wrote in to let us know synth legend David Van Koevering passed away yesterday at the age of 77. Per Brian, "So many people in the industry knew him; such a long and varied life!" Indeed. The following is the obituary sent to him from Van Koevering's family.
"A Christmas Noodle on the Pro 2 and Blofeld (Actually more a Christmas tune). Its a little more Berlin School inspired and a little darker than regular Christmas music. I managed to pull some very nice Horn, bass and bell sounds from the Blofeld. The blofeld still amazes me how versatile it can be. Hope everyone has an excellent X-Mas.. One last clip to come to end of the year!"
"A synth jam inspired by 70s/80s horror films from the likes of Argento, Fulci and Romero, and bands like Goblin and Zombi.
Dave Smith Instruments PolyEvolver
Korg MS10
Linn Drum VST
Mellotron VST
Novation Supernova 2
Sequential Circuits Pro~One"
Goblin - L'alba Dei Morti Viventi - Dawn of the Dead (1978) Theme Cover
Published on Oct 30, 2014 Reuben Jones
"A cover of Goblin's fantastic, dawdling, sluggish and stumbling theme to the original Dawn of the Dead. Uploaded for Halloween 2014.
Equipment used=
Korg MS10
Novation Supernova 2
Yamaha TRB5f
Boston Baby Grand (just for the video)
Keyzone Piano VST
Tapeotronic Mellotron VST
KettleDrum Timpani VST
Superior Drummer VST
Bell sample
"I was having such a great time playing around with the setup shown in this video that I decided to record it, if for no other reason than to document it for myself. The Dave Smith Instruments Pro 2 is at the heart of this system, creating an ambient bell-ish arpeggio, and also syncing all the tempos through MIDI and clock-synced LFO Control Voltages. Because of this all the filter modulations, arpeggios and echoes are easily synced to the master clock.
The Moog Voyager/H9 combination proved nicely lush and the MicroBrute’s healthy CV capabilities (for a synth its size and price) made a lot of fun things possible.
Even when the Pro 2 is just arpeggiating, its dual position and pressure sensitive ribbons make it easy to tweak sounds. The Animmoog and Borderlands apps were handy for filling in a few textural cracks.
I want to start by thanking everyone that comes to MATRIXSYNTH and helps make it what it is - the readers, the supporters, and of course all the sponsors on the right.
THANK YOU and have a GREAT 2015!!!
This site is a labor of love and a ton of work. This site is ultimately meant to be an testament to everything synth in the making. We have over nine years of daily synth history captured here, 119,983 published posts. I can't wait to see what the future brings us in 2015!
That said, here are a few interesting bits from 2014 in the longest post of the year. ;)
"We are starting a line of limited edition modules as a way to share some of our more esoteric designs with the world. The modules will range from chaotic and noisy, to simple, to over the top. Each production run will be limited to 50 modules, and each module will be hand signed and numbered on the rear of the panel. All limited edition modules will be available for sale exclusively on shop.pittsburghmodular.com, and once they are gone, they are gone.
We are pleased to announce the Dual Ring, our first limited edition module. The Dual Ring houses a pair of ring modulators with linked inputs and an output mixer, creating unique sonic and signal routing possibilities. The Dual Ring was a request of our good friend Dave Skipper. We were a little skeptical at first but the results prove this was an inspired idea."
[The Dual Ring houses a pair of ring modulators with linked inputs and an output mixer creating unique sonic and signal routing possibilities. Each ring modulator offers 3 types of effects based around the classic ring modulation circuit.
A ring modulator multiplies two audio inputs together resulting in a unique form of amplitude modulation or frequency mixing. The output is the sum and difference of the frequencies present in each waveform. Ring modulation produces a signal rich in harmonic and non-harmonic tones often sounding metallic or bell-like.
The individual ring modulation circuits in the Dual Ring can be used independently, mixed, or chained together resulting in a large palate of uniquely rich and complex tones.
Effect 1: Ring Modulator - (Switch Full Left) Outputs the sum and difference of the X and Y inputs.
Effect 2: Floating Z Modulator - (Switch in Center Position) Outputs the sum and difference of the X and Y inputs summed with the ambient voltage within the circuit.
Effect 3: Linear Amplitude Modulator - (Switch Full Right) Outputs the sum and difference of the X and Y inputs summed with the carrier (Y) signal."
via Pittsburgh Modular on what it's like to be a boutique modular manufacturer and why they decided to come out with the limited edition modules:
"Three years ago Pittsburgh Modular Synthesizers started as a crazy idea to sell a few strange, handmade modules out of a basement. Thanks to your enormous response to those modules we've grown meteorically.
Shipping modules and instruments in large numbers takes a tremendous amount of time and resources. Resources that we can not commit to every idea we have. While we have been working hard to expand and improve our manufacturing capabilities, at heart Pittsburgh Modular is still a small company that remains committed to producing high quality, hand made electronic instruments. Over the past few years, we have chosen to focus our energy on modules that make up the core of our amazing synthesizers. Because of this, we have a lot of concepts and a lot of modules that were designed but never sold. Most of our ideas are too strange to fit in with what Pittsburgh Modular has become and it would be impossible for us to maintain a product line that included all of our designs. Still, we want the modules for our systems so here is the idea..."
What a busy year it has been in the world of synths.
This is going to be one doozy of a post, so bear with me. This post is a review of the year in synths for 2013. We begin with Tributes to Those We Lost This Year, followed by New Manufacturers & Makers, Older Manufacturers Added to the Site, New Gear Announcements, Top 10 Posts by Traffic, My Standout Posts for the Year, and finally This Years' Synth Events. I did my best to keep things as short and concise as possible.
All missed and never to be forgotten. Take a moment to remember them.
------
New Manufacturers & Makers
Starting last January, I decided to keep a running list of every new manufacturer and maker introduced to the site during the year. This is something I haven't done before and I thought it would be interesting to see how many there were in the year. It's easy to focus on the big synth announcements throughout the year, but what about all the new makers and brands? I shouln't have to go considerably into the significance of new designers on the scene, so I'll just say two things regarding them. One, the number of new makers is a direct reflection on the interest in our scene, and two, these are the creators of new gear which directly translate into new designs not previously available to us. Think about that for a moment. These are makers and designs that did not exist before. They are part of our synth history. So what is the total count of new synth designers for the year? A whopping 113. Think about that a bit. One hundred and thirteen new synth designers and brands this year alone.
Here they are (note a handful date back to 2012, but 2013 marked their momentum and availability):
Published on Dec 10, 2013 Dave Smith Instruments·25 videos
"Questions? Email support at dave smith instruments dot com.
It's a Bigger Badder Mopho!
Mopho SE is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho SE boasts huge sound in an ideally sized, portable, and elegantly designed package. Use it to create huge basses, creamy leads, and maniacal sequences.
The Mopho Sings!
The Mopho SE voice is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!
FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Process external audio through the Mopho's voice and add some analog warmth to any source. Mopho SE's 100% analog signal path is powerful, monstrous, and sonically dynamic!"
YouTube Published on Aug 20, 2012 by moogfoundation
"Bob Moog's legacy lives on in the rock stars and panelists at Moogfest 2011. Find out why Bob's extraordinary legacy deserves to be carried forward.
Featuring: Moby, Wayne Coyne, Diego Stocco, Eric Persing, Bryan Bell, Dick Hyman, Terry Riley, David Borden, Joel Cummins, Alan Vega and Torley."
"Asheville, NC - August 20, 2012 - Tomorrow marks seven years since beloved synthesizer inventor Bob Moog passed away in 2005. It has also been six years since his family formally established the non-profit Bob Moog Foundation. The BMF continues to advance Bob’s legacy by announcing several recent projects ranging from educational videos to a Web page tracing the history of synthesizers. The “Moogmentum” that the BMF initiated in the summer of 2006 continues picking up steam.
In cooperation with macProVideo.com, the Bob Moog Foundation introduces a tutorial series titled The Foundation of Synthesis with Marc Doty. Six videos cover the History of Synthesis; Oscillators; Filters; Control Voltage; VCAs, Ring Modulation, and S&H; and Applied Synthesis. Education specialist Doty, best known for his YouTube-based synth instruction, has created custom animations and uses a variety of instruments to demonstrate these six concepts. In addition, keyboardist Erik Norlander makes an appearance to give a brief tour of his massive modular synthesizer affectionately known as the Wall of Doom. The first three videos from this exclusive series will be available on August 23 for individual downloads or to monthly or annual macProVideo.com subscribers. A large portion of the proceeds will go to benefit the BMF.
A new promotional video, produced by Flying Pig Studios in Asheville, highlights the Bob Moog Foundation’s unquenchable desire to inspire innovation and ignite creativity. It features performers and panelists from last year’s edition of the annual music festival held in Bob’s honor, Moogfest 2011. Musicians such as Moby, Dick Hyman, and Wayne Coyne of the Flaming Lips talk about Bob Moog’s lasting impact on the world of music and the importance of continuing his legacy. You can view the video at http://youtu.be/VO-9JtN5-a0. [embed above]
This week the BMF is also releasing free online video coverage of “History of the Minimoog,” one of the most spirited and informative panel discussions of Moogfest 2010. Watch and learn as legendary Moog collaborators Bill Hemsath, Tom Rhea, Dave Van Koevering, and Herb Deutsch discuss their individual roles in developing the Minimoog synthesizer in 1970 as part of a team effort with Bob Moog.
Anyone who has researched the history of synthesizers knows how frustrating it can be to find consistently reliable information. As part of the Foundation’s relentless effort to rid the world of misinformation, the BMF announces its comprehensive Timeline of Synthesis, which will be posted on its website beginning this week.
Dr. Bob’s SoundSchool is making news, too, with its ongoing mission to teach the science of sound through the magic of music. After concluding its pilot program in 8 Asheville second-grade classrooms this past spring, DBSS is expanding to 25 classrooms in Asheville and Buncombe County schools for the 2012–2013 school year. Using traditional and electronic musical instruments with custom educational materials, the BMF plans to expand DBSS to 100 classrooms in North and South Carolina by 2014.
"Dave Smith Instruments is just a week away from introducing DSI's new Mopho x4 synthesizer keyboard to the world. This new synth is polyphonic Mopho keyboard! The Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. The Mopho x4 is sure to satisfy all your polyphonic analog synthesis needs.
4 times the voice 4 your pleasure
Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!
You can FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic!
Work less, play more
Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat.
The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action.
It grows with you
Expand Mopho x4's polyphony using its Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth!
The Mopho x4!
Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years!
Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else.
"It's a polyphonic Mopho keyboard! Mopho x4 is the newest addition to DSI's revered line of analog subtractive synthesizers. Building upon the same award winning voice architecture of the Mopho and Mopho Keyboard, the Mopho x4 boasts huge sound and 4 voice polyphony in an ideally sized, portable, and elegantly designed package. Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. 4 times the voice 4 your pleasure Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations! FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic! Work less, play more Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat. The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action. It grows with you Expand Mopho x4's polyphony using it's Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth! The Mopho x4! Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years! Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else." http://www.davesmithinstruments.com/
"This was the first programmable synthesizer (1977)."
Programmable as in patch memory. The 1003 was a programmable monophonic synth with two oscillators, digitally controlled keyboard, and it was duophonic.
"Unless you're a musician AND a tech head, the name Roger Linn won't ring a bell. But you have heard of prolific artist Prince and J Dilla. Well Linn is the man behind the machines (LinnDrum,& Akai MPC) that made these legends popular and changed the way music is created.
Mr. Linn has a new toy -- the LinnStrument. It looks like an iPad with a grid of pressure sensitive note buttons to capture expression, pitch and timbre of each note individually and all at once. The product is not yet ready for mass consumption but take a sneak peek at the LinnStument prototype in action."
Use it to create huge unison basses, creamy leads, maniacal sequences, and ethereal pads. 4 times the voice 4 your pleasure Each of Mopho x4's four voices is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations! FM the filter to create metallic bell-like sounds and use the feedback path to add subtle or destructive harmonic content to your sound. Mopho x4's 100% analog signal path is powerful, monstrous, and sonically dynamic! Work less, play more Mopho x4 is intuitive and inviting. Every parameter is fully programmable and editable from the front panel. The controls are logically laid out, lending themselves to quick access so you can tweak knobs without missing a beat. The x4's full sized 44-note semi-weighted keyboard has aftertouch and velocity sensitivity. The sturdy full sized pitch and mod wheels are freely assignable and sport smooth reliable action. It grows with you Expand Mopho x4's polyphony using it's Poly Chain port. Mopho, Tetra, and Prophet '08 can all be connected to the x4 to increase its voice count. You can Poly Chain up to three Tetras with Mopho x4 to create a 16 voice analog super synth! The Mopho x4! Dave Smith Instruments is the only company pioneering and producing fully programmable polyphonic analog synthesizers. In fact Dave's been at it for 35 years! Designed and manufactured in San Francisco, Mopho x4 has the high quality sound and build for which DSI is renowned. From its feature packed analog voices and unmatched sonic versatility to its refined design and engaging interface, you won't find a polyphonic analog synthesizer like this anywhere else." http://www.davesmithinstruments.com/
